Shakespere and Reception theory at Meripustak

Shakespere and Reception theory

Books from same Author: Nigel wood

Books from same Publisher: Bloomsbury

Related Category: Author List / Publisher List


  • Retail Price: ₹ 9920/- [ 7.00% off ]

    Seller Price: ₹ 9225

Sold By: T K Pandey      Click for Bulk Order

Offer 1: Get ₹ 111 extra discount on minimum ₹ 500 [Use Code: Bharat]

Offer 2: Get 7.00 % + Flat ₹ 100 discount on shopping of ₹ 1500 [Use Code: IND100]

Offer 3: Get 7.00 % + Flat ₹ 300 discount on shopping of ₹ 5000 [Use Code: MPSTK300]

Free Shipping (for orders above ₹ 499) *T&C apply.

In Stock

Free Shipping Available



Click for International Orders
  • Provide Fastest Delivery

  • 100% Original Guaranteed
  • General Information  
    Author(s)Nigel wood
    PublisherBloomsbury
    ISBN9781350112100
    Pages208
    BindingHardcover
    LanguageEnglish
    Publish YearDecember 2020

    Description

    Bloomsbury Shakespere and Reception theory by Nigel wood

    Arden Shakespeare and Theory provides a comprehensive analysis of the theoretical developments that have dominated Shakespeare studies in recent years, as well as those that are emerging at the present moment. Each volume provides:· a clear definition of a particular theory;· a survey of its major theorists and critics;· an analysis of its significance in Shakespeare studies;· a summary of relevant political, social and economic contexts;· a wealth of suggested resources for further investigation.Reception Theory provides readers with a unique overview and understanding of the ways in which both audiences and readers have reacted to Shakespeare's works historically and in the present. This study demonstrates how recent emphases on a reader's and a spectator's role in the creation of meaning might allow us to contemplate Shakespeare's work in fresh and often provocative ways. Among the plays included as case studies are A Midsummer Night's Dream, Hamlet, The Tempest, King Lear and Henry V. Shakespeare and Reception Theory pays close attention to early modern modes of interaction in the playhouse alongside more recent assumptions that underlie spectating and performing.