Documentary Screens Nonfiction Film and Television 2004 Edition at Meripustak

Documentary Screens Nonfiction Film and Television 2004 Edition

Books from same Author: Keith Beattie

Books from same Publisher: MacMillan Education UK

Related Category: Author List / Publisher List


  • Retail Price: ₹ 4325/- [ 0.00% off ]

    Seller Price: ₹ 4325

Sold By: T K Pandey      Click for Bulk Order

Offer 1: Get ₹ 111 extra discount on minimum ₹ 500 [Use Code: Bharat]

Offer 2: Get 0.00 % + Flat ₹ 100 discount on shopping of ₹ 1500 [Use Code: IND100]

Offer 3: Get 0.00 % + Flat ₹ 300 discount on shopping of ₹ 5000 [Use Code: MPSTK300]

Free Shipping (for orders above ₹ 499) *T&C apply.

In Stock

Free Shipping Available



Click for International Orders
  • Provide Fastest Delivery

  • 100% Original Guaranteed
  • General Information  
    Author(s)Keith Beattie
    PublisherMacMillan Education UK
    ISBN9780333741177
    Pages276
    BindingHardback
    LanguageEnglish
    Publish YearSeptember 2004

    Description

    MacMillan Education UK Documentary Screens Nonfiction Film and Television 2004 Edition by Keith Beattie

    Documentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate this engaging study. Documentary Screens is a comprehensive and critical study of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so-called popular factual entertainment and the future of documentary film, television and new media. This provocative and accessible analysis situates wide-ranging examples from each category within the larger material forces which impact on documentary form and content. The important connection between form, content and context explored in the book constitutes a new and lively 'documentary studies' approach to documentary representation.